The Baronian Suite Reserve a seat

World premiere · Presented by The Paulus Fund

TheBaronian Suite

Wednesday, January 20, 2027·6:00 p.m.

Trinity Church Wall Street · New York

On Trinity's new Glatter-Götz/Rosales organ, 8,041 pipes, completed in 2025

Jeremy Filsell·Justin Bischof·Stephen Tharp

Free admission · Seating is limited

Photo: Trinity Church Wall Street

The story

How a two-movement suite became six

PremiereWednesday, January 20, 2027
6:00 p.m.
WhereTrinity Church Wall Street
on the new Glatter-Götz/Rosales organ
The six movements
  1. Toccata II
  2. A Refined Reflection
  3. Explosions
  4. Berceuse
  5. Blithely Breezing Along
  6. This Time They Got Me

My dad, the composer Stephen Paulus, wrote two movements of an organ suite in honor of Michael Barone, the host of Pipedreams. He took the titles from things Michael said on the air. When my dad died in 2014, the suite was still two movements long.

Marilyn Keiser gave the first performance of Blithely Breezing Along at the 2008 AGO National Convention in the Twin Cities, and A Refined Reflection followed in 2013. He always intended to write more.

This concert is the third project of the Paulus Fund, and the first devoted to finishing a piece rather than commissioning a new one.

Early on, Michael gave us the advice that shaped the whole thing: keep it all Paulus. So instead of commissioning other composers, Justin Bischof and I went through my dad's organ, piano and stage music looking for pieces that belonged alongside the original two. We found four. One was already written for organ, two are being transcribed, and one is being engraved for the first time.

On January 20, 2027, in the month Pipedreams turns forty-five, Jeremy Filsell, Justin Bischof and Stephen Tharp will give the world premiere of the complete six-movement suite at Trinity Church Wall Street, on the new organ that Trinity inaugurated in 2025. I hope you will join us.

Andrew PaulusProject Director, The Paulus Fund

The full story of the suite will appear in the November 2026 issue of The American Organist.

The suite

Six movements, every note by Stephen Paulus

  • Toccata II

    Written for the organ and performed as written. It gives the suite a movement built for the instrument from the start.

    Organ work
  • A Refined Reflection

    One of the two original movements, from 2013. The title is one of Michael's phrases, written down and kept.

    Original movement · 2013
  • Explosions

    Originally for piano, and Michael Barone's own suggestion for the suite. It is music of color and attack, and the organ has plenty of both.

    Transcribed from piano
  • Berceuse

    A quiet piece that was never formally engraved. It is being prepared for publication for the first time as part of this project.

    Newly engraved
  • Blithely Breezing Along

    The other original movement, commissioned in 2008 and premiered by Marilyn Keiser at the AGO National Convention.

    Original movement · 2008
  • This Time They Got Me

    From The Postman Always Rings Twice, Stephen's 1982 opera for Opera Theatre of Saint Louis, in a full transcription for organ.

    Transcribed from opera

The order of movements will be announced.

Hear Blithely Breezing Along

Marilyn Keiser's performance, as broadcast on Pipedreams in January 2013 (program 1301, “Women at Work”).

Stephen Paulus at his desk, smiling, with manuscript paper in front of him
Stephen Paulus, 1949–2014

The composer

One of America's most performed composers, and an organist's son

Stephen Paulus wrote more than 500 works for chorus, opera, orchestra, chamber ensemble, solo voice, piano and organ. His music was performed around the world during his lifetime and still is. Choral singers know him best. Pilgrims' Hymn was sung at the funerals of Presidents Reagan and Ford, and the Minnesota Orchestra recorded his Holocaust oratorio To Be Certain of the Dawn. He wrote eleven operas, beginning with The Postman Always Rings Twice for Opera Theatre of Saint Louis in 1982, and more than fifty orchestral works premiered by conductors including Osmo Vänskä, Kurt Masur, Sir Neville Marriner and Leonard Slatkin. He wrote for the organ throughout his career, including concertos for the Phoenix Symphony and the Portland Symphony.

The New York Times called his music “lush and extravagant.” The New Yorker called him “a bright, lyrical inventor whose music pulsates with a driving, kinetic energy.” He received NEA and Guggenheim fellowships and a Grammy Award in 2015.

He was also a tireless advocate for other composers. In 1973 he co-founded the Minnesota Composers Forum, now the American Composers Forum and the largest composer service organization in the country, and he represented symphonic and concert writers on the board of ASCAP from 1990 until his death.

He grew up in Saint Paul, the son of an organist, and Pipedreams was the program our family always turned up.

Explore his music at stephenpaulus.com

500+Works
11Operas
1Grammy Award · 2015

The evening

An evening of Paulus, with three of the finest organists playing today

Stephen Tharp, Justin Bischof and Jeremy Filsell share the suite between them, and each has chosen a short work of his own to play alongside it.

  • Stephen Tharp

    Artist-in-Residence at Riverside Church and the American Guild of Organists' 2011 International Performer of the Year. He gave one of the inaugural recitals on this very instrument.

  • Justin Bischof

    Conductor, improviser and concert organist who has played Carnegie Hall, Notre Dame de Paris and Cologne Cathedral, and the project's artistic director from the beginning.

  • Jeremy Filsell

    Steinway Artist with more than thirty-five recordings, and one of the rare musicians who performs at the highest level on both piano and organ, which is why the evening ends with him at the piano.

The Baronian Suite · world premiere

Stephen Paulus. Six movements, shared among the three organists

Tharp · Bischof · Filsell

Paean

Stephen Paulus, for two organists

Tharp & Bischof

Prokofiev · Toccata

Chosen by Stephen Tharp

Stephen Tharp

Alain · Litanies, with two short dances

Chosen by Jeremy Filsell

Jeremy Filsell

Bischof · ABC

Composed and performed by Justin Bischof

Justin Bischof

Piano Concerto No. 1 · third movement

Stephen Paulus. Arranged for two organists and piano, with the orchestra part reduced for organ

Tharp & Bischof, organ
Filsell, piano

The performers

Three organists at the top of the field

Stephen Tharp at the console of the Riverside Church organ

Stephen Tharp

Organ

GRAMMY-nominated organist and Artist-in-Residence at New York's Riverside Church, Stephen Tharp was named the American Guild of Organists' 2011 International Performer of the Year. He gave an inaugural recital on Trinity Church's new organ in October 2025.

Full biography

GRAMMY-nominated organist Stephen Tharp is the Artist-in-Residence at New York's Riverside Church. For his work as a concert and recording artist, composer, teacher and competition adjudicator, he was awarded the 2011 International Performer of the Year Award by the American Guild of Organists, as well as the 2015 Paul Creston Award for outstanding work in organ and church music. His concerts across five continents include an October 2025 inaugural recital for the Trinity Church Wall Street organ. He is also an advocate for new organ music, with works dedicated to him by Samuel Adler, George Baker, Thierry Escaich, Jean Guillou, Anthony Newman and others.

Justin Bischof at an organ consolePhoto: Klais Scarsdale

Justin Bischof

Organ · Artistic Director

Lauded as “impressive… spontaneous… subtle” by The New York Times, Justin Bischof is an internationally acclaimed conductor, concert organist, pianist and improviser who has performed at Carnegie Hall, Notre Dame de Paris, St. Paul's Cathedral and Cologne Cathedral, and collaborated with Joshua Bell, Tan Dun and Roberta Peters.

Full biography

Lauded as “impressive... spontaneous... subtle...” by The New York Times, Justin Bischof is one of the most eclectic artists and leaders of his generation. He is an internationally acclaimed orchestral and opera conductor as well as concert organist, pianist and improviser. He has performed in some of the world's great venues including New York's Carnegie Hall, Alice Tully Hall and Rose Theater at Lincoln Center, the Tonhalle of Zurich, the Eli Broad Theatre of Los Angeles, the Royal Opera House Oman, St. Paul's Cathedral London, Notre Dame Paris and Cologne Cathedral, to name a few. He has collaborated with some of the world's most prominent artists including Joshua Bell, Philippe Entremont, Bright Sheng, Tan Dun and Roberta Peters. As an orchestral conductor, he has worked with numerous ensembles including the National Arts Centre Orchestra, the Ensemble Orchestral de Paris, the Vancouver Symphony, the Royal Symphony of Oman, the State Philharmonic Kavkazskiye of Russia, the WAAPA orchestra in Perth, Australia, and the National Orchestra of Haiti.

Jeremy Filsell leaning on a grand piano

Jeremy Filsell

Organ · Piano

One of very few virtuosos on both piano and organ, Jeremy Filsell is a Steinway Artist with more than 35 solo recordings, formerly Organist and Director of Music at Saint Thomas Church, Fifth Avenue, and now Director of Music at Christ Episcopal Church in Bradenton, Florida.

Full biography

Jeremy Filsell is one of only a few virtuoso performers as both pianist and organist, and has appeared as a solo pianist in Russia, Scandinavia, New Zealand and Australia and throughout the USA and UK. His concerto repertoire encompasses Bach, Mozart and Beethoven through to Shostakovich, John Ireland, Constant Lambert and the Rachmaninov cycle, and he has recorded the solo piano music of Herbert Howells, Bernard Stevens, Eugène Goossens and Johann Christoph Eschmann. Recent releases include Rachmaninov's solo piano music (Signum), the first and second Rachmaninov Concertos (Raven) and the piano music of Francis Pott (Acis). He is a Steinway Piano Artist and his discography includes more than 35 solo recordings. He has taught at universities, summer schools and conventions in both the UK and US and has served on international competition juries in England, Switzerland and the US. Jeremy studied at Oxford University, the Royal College of Music in London and Birmingham City University/Conservatoire (for a PhD on aesthetic and interpretative issues in the music of Marcel Dupré). Before moving permanently to the US in 2008, he held lectureships at the Royal Academy of Music and the Royal Northern College of Music and was a lay clerk in the Queen's choir at St. George's Chapel, Windsor Castle. In the US he has served the Basilica of the National Shrine and the Church of the Epiphany in Washington DC, Washington National Cathedral and Peabody Conservatory. For seven years he was Organist and Director of Music at Saint Thomas Church, Fifth Avenue, New York, where he broadened the church's concert series, expanded the choir's repertoire to include more American and 21st-century music, and recorded the choral music of William Byrd, Gerre Hancock, Calvin Hampton and Kenneth Leighton (Signum). He is now Director of Music at Christ Episcopal Church in Bradenton, Florida.

For Michael Barone

Forty-five years of Pipedreams

Michael Barone is the host and senior executive producer of Pipedreams, the weekly program from American Public Media that has explored the art of the pipe organ since January 1982 and remains the only nationally broadcast program devoted to it. He has been involved with the instrument for more than fifty years, and his work has been recognized with the American Guild of Organists' President's Award and the Organ Historical Society's Distinguished Service Award, among many others.

For forty-five years he has given organ music a national audience and given organists their introduction to it. The suite carries his name, and its titles are his phrases.

He also helped finish it. Michael advised us to keep the suite entirely Paulus, introduced our family to Justin Bischof, and suggested Explosions for transcription. We could not have asked for a better partner on his own tribute. The concert falls in the month of the program's forty-fifth anniversary and in the year Michael turns eighty.

Listen to Pipedreams  ·  Full biography at American Public Media

Michael Barone, host of Pipedreams
Michael Barone. Photo: American Public Media

“Blithely breezing along”Movement title · from a Barone broadcast

“A refined reflection”Movement title · from a Barone broadcast

1982First broadcast
45Years on air, January 2027
80Michael's birthday, 2027
The nave of Trinity Church seen from the organ gallery, with the great east window beyond
Trinity Church from the organ gallery. Photo: Trinity Church Wall Street

The instrument

Trinity Church Wall Street, and one of the great new organs of our time

Trinity Church has stood at the head of Wall Street since 1846, and for most of that time it has been one of the great homes of sacred music in America. Its previous organ was damaged beyond repair on September 11, 2001. The instrument that replaced it took a decade to plan and build. Glatter-Götz Orgelbau of Germany built it with the tonal designer Manuel Rosales, and it was inaugurated in 2025 with a season of concerts that drew organists and audiences from around the world.

It is a monumental instrument: 8,041 pipes across 113 stops, speaking from both the gallery and the chancel, with façade pipes gilded in 23.5-karat gold standing in Richard Upjohn's original case. Few rooms in New York can hold a sound like it, and few instruments anywhere are better suited to a suite that moves from a whispered berceuse to a full-organ toccata.

Trinity has generously welcomed this premiere into its music season. We are grateful to them.

  • BuilderGlatter-Götz Orgelbau
  • Tonal designManuel Rosales
  • Pipes8,041
  • Independent stops113
  • DivisionsGallery, 85 stops · Chancel, 28 stops
  • CaseRichard Upjohn, 1846

About the organs at Trinity Church

Plan your evening

Wednesday, January 20, 2027 at six

Where

Trinity Church
89 Broadway, at Wall Street
New York, NY 10006

Directions

When

Doors open 5:15 p.m.
Concert 6:00 p.m.
Approximately 90 minutes

Admission

Free and open to all. Seating is limited, so please reserve a seat. A reception follows the concert.

Getting there

Subway: 4/5 and 2/3 to Wall St, R/W and 1 to Rector St, J/Z to Broad St.

The church is step-free from Broadway and wheelchair accessible.

The Paulus Fund

Supporting the music of Stephen Paulus, and the composers who come after him

Administered throughThe American Composers Forum
BoardPatty, Greg and Andrew Paulus

Our family established the Paulus Fund after my dad's death. It is administered through the American Composers Forum, the organization he co-founded, and it supports projects that carry his music forward and projects that support other composers, which he did throughout his life.

For the Baronian Suite, the Fund is paying for the transcriptions and the performances. We also plan to publish the completed suite and to record the concert in audio and video, so the music reaches well beyond one night in January.

Visit paulusfund.com

  1. 2019

    Guido López-Gavilán commissionPerformed by the Cuban American Youth Orchestra

  2. 2023

    Aaron David Miller organ commissionPresented with The Singers, Minnesota

  3. 2027

    The Baronian SuiteCompleted and premiered at Trinity Church, New York